Taiko satisfies tabla: April 11 two established teams in the Toronto globe music scene join for a night of transcultural percussion-centric musical dialogues

Taiko satisfies tabla: April 11 two established teams in the Toronto globe music scene join for a night of transcultural percussion-centric musical dialogues

Taiko satisfies tabla: April 11 two established teams in the Toronto globe music scene join for a night of transcultural percussion-centric musical dialogues

The taiko that is japanese Nagata Shachu directed by Kiyoshi Nagata fulfills the JUNO-nominated Toronto Tabla Ensemble directed by Ritesh Das regarding the phase associated with Brigantine Room, Harbourfront Centre. Having attended concerts by both teams from their start, it is obvious that collaborations are very important every single. Nagata shares that “I believe the primal and thunderous noises of this taiko really are a complement that is perfect the discreet and intricate rhythms associated with tabla. Ritesh and I also feel a specific connection, both musically as well as in regards to how exactly we had been competed in our particular traditions.” The individual history the two directors share is a vital website link between their teams. “I am delighted become once more dealing with Kiyoshi Nagata,” reflects Das. “He was one of many very first performers we collaborated with after visiting Toronto in 1987. I felt a new sense of maturity from both ends, which led to an immediate understanding between us when we rehearsed for the first time in 20 years. Together we could produce a tremendously rich and stylish Indo-Japanese collaboration.” This fusion that is respectful just marks an enhanced musical readiness, it is a confident thermometer for the future health of Toronto’s world music scene.

During the Aga Khan Museum: seven days later the brand new Aga Khan Museum together with well-established Raag-Mala musical Society of Toronto get together when it comes to very first time in two concerts at the Aga Khan Museum Auditorium. Titled “Miyan-Ki-Daane: Raags of Tansen,” the programs, presented when you look at the Hindustani dhrupad and khayal music genres, celebrate the songs of Miyan Tansen, a bright celebrity among the composers and vocalists of Emperor Akbar’s 16th-century North Indian court. Their stunning compositions have already been handed down through numerous generations of dental tradition through the guru-shishya parampara, the specific method of transmission from instructor to disciple in conventional culture that is indian.

The program that is first 18 features singer Samrat Pandit and bansuri (bamboo flute) player Rupak Kulkarni. The singer received the prestigious Sangeeta Shiromani Award from the State of Maharashtra just just last year, while Kulkarni is more popular as being a leading bansuri player. On April 19 Uday Bhawalkar, on the list of foremost exponents of dhrupad singing today, and also the sitarist that is respected Bose, present an unusual 11am belated early early morning concert. Audiences will hence have an uncommon chance to hear raags appropriate to that particular period of day, a training nevertheless maintained in Hindustani traditional music. It is positively worth making work that is alternate with this concert.

April 24, additionally in the Aga Khan Museum, noises of this Sahara, the Magreb and western Africa are blended with modern pop and funk by the powerhouse Noura Mint Seymali. This compelling singer, a celebrity in Mauritania, was created into a prominent Moorish griot family members. She actually is additionally a master for the ardine (nine-stringed harp) and a composer.

Andrew Timar is a Toronto music and musician journalist. He is able to be contacted at worldmusic@thewholenote.com.

Tova Kardonne Lanka Suite

Throughout the relentless winter choke-holding the eastern 50 % of our continent we sometimes see signs and symptoms of climate more harmless. Not that I’m whining about our sharp white-scaped outside, brain, but I’m maybe maybe maybe not complaining either about music’s special capacity to start the world’s screen wide to some other, less landscape that is icy.

Good example may be the Lanka Suite. With it the multi-talented rising Toronto-born composer, vocalist and violist Tova Kardonne evokes Sri Lanka’s lush normal and peoples landscapes, expressing her outsider musical explorations in her distinctive jazz and chamber music that is music-inflected. The Ashkenaz Foundation and Koffler Centre for the Arts co-present the job done with a choir, an ensemble that is instrumental along with a vocal plus an instrumental soloist, in concert in the Music Gallery on March 14.

We called Kardonne on A february that is frosty afternoon talk about her committed Lanka Suite, and exactly how she got there. Even before pursuing a profession in music, she said, her passion for mathematics – by which a degree is had by he – initially took centre phase. “I developed a style for facets of beauty and feeling in math, because of its beauty along with its ugliness. They are parallel to traits we also felt in music.” But she additionally pursued piano and viola studies during the Royal Conservatory of Music, also singing alto in a few choirs. “Singing (and playing) the alto sound is just a great location to be for a composer: right in the exact middle of the music!” The Element Choir and with the GREX vocal ensemble directed by Alex Samaras it’s a practice she actively maintains with Andrea Kuzmich’s Broulala, Christine Duncan’s. (The latter choir includes a core part into the performance regarding the Lanka Suite on March 14. )

As well as music, Kardonne explained that party was another key to her creative phrase. “I initially learned party with Jeannette Zingg of Opera Atelier. Later on, in ’99 I happened to be introduced towards the freedom and control of contact improvisation, attending downtown Toronto’s regular Contact Dance Jams. Improvised movement reinforced my understanding that is evolving of and intention. Though i did son’t quite recognize at that time, it might show essential in shaping my compositional procedure down the road.” In 2014 she remounted a night en titled “60Ч60 Dance,” continuing her engagement that is ongoing with dance globe. It showcased 60 various combinations of Canadian choreographers and composers, a project that is complex co-curated and produced.

Having finished a diploma at Humber university centering on vocal jazz, structure and organizing in 2008, jazz definitely figures in Kardonne’s language that is musical.

She’s got included a wide range of Toronto’s jazz elite when you look at the Thing Is, her present eight-member musical organization. This has included Jim Vivian, Dave Restivo, Ted Quinlan, Peter Lutek, deep Brown, Rob Clutton and a few other people since its inception. Presently she favours artists with blended resumйs who can excel in just what she calls “non-idiomatic improvisational contexts.” That’s why she notes “my musical organization is known as to be honest, as it reflects an open-ended procedure for becoming,” an ensemble work that is musical. She produces an evolutionary, boundary-crossing and collegial environment in the ensemble: “As my music developed, it offers drawn different types of performers. At the very least two of these have now been around the scene for long sufficient that we don’t truly know where they ‘come from’.”

Kardonne points out an additional element that is significant The Lanka Suite: when it comes to insufficient a much better term, its “world music” features. It dates back to your Klezmer bands she played in, beginning inside her teens, in addition to her grand-parents’ Eastern European roots that are jewish. “My blended family history directed me across the course of searching for connections through the distinctions.” Citing her studies of Cuban santerнa batб drumming, North and Southern Indian drumming patterns, along with her involvement into the Brazilian Samba Elйgua team, she conludes that “deep down, I’m driven by rhythm.” When you look at the Lanka Suite this fascination is mirrored in uncommon time signatures and phrases, drawing from both Southern Asian and Eastern European people idioms, though couched within the instrumentation of the jazz combination having its affiliated rich harmonic industry.

We asked Kardonne when it foreign brides comes to Lanka Suite’s straight straight straight back tale. The four-part composition had been “inspired by a visit with my partner the experimental electric guitarist Nilan Perera to Sri Lanka in 2012. He wanted to reconnect with family members when it comes to very first time since the conclusion associated with the conflict during 2009 and also to speak to a few of the generation of performers who’d developed in the middle of conflict, much less he’d, into the diaspora.” While Kardonne had been a complete complete stranger to the united states, she recounts that “those things which had been many brand new and strange nonetheless experienced parallels in my opinion.” Her first-hand observations elicited contrasting feelings of joy in addition to confusion. She additionally encountered a society in change, rebuilding the fabric of families and organizations following a devastating 30-year civil war. One music seed had been sown whenever Kardonne heard a woman sing to amuse other coach commuters in the A9 highway to Jaffna, the city that is northernmost from the South Asian island country. She notated the girl’s track also it surfaced when you look at the work’s movement that is first “A9 to Jaffna.”

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